Vintage Portraits
These photographs are from another era. For a brief period of time, I fancied myself a jewellery-maker. Really, it was just a way to vindicate the absolute inner magpie of mine that refused to throw away any single shiny thing. I had all these bits and pieces of broken jewellery, peacock feathers, and various other chachkis I clung onto for just in case it made a cool thing. After a few months of organisation and noodling and practice, I’d made a vast collection—feather fascinators, gemstone earrings, shitty necklaces. Vintage was very in at the time, so naturally that was the direction for the shoot. Yes, the file sizes are tiny. Yes, the editing is... interesting. But I did learn a whole lot.
Slideshow: Self portraits
The set is a curtain I hung on the back wall and some security lights I fixed to a tripod. I didn't have a remote, so I used a pillow on a chair to set the focus and dashed back and forth to the camera, using the 7-second timer. Is one photo out of focus? It is. What's up with those false eyelashes? They looked awful unless from that angle. Can you even see the jewellery? Nope, not really. But it was an awesome, tiring, ridiculous 7 hours in my bedroom learning how to take self portraits.
I love red lipstick. I wanted to see how each one looked. So I took a bunch of photos.
My criteria:
Quality of the colour
Matte appearance
Stain last and resistance
I love makeup. I’ve always loved it. From the second I was allowed to put on a bit of ‘80s lavender eyeshadow, I slathered to excess. So, here’s a little journey I’ve called “From none to done”. Because rhyming.
Somewhere near the up-and-coming outskirts there's a huge old fort structure and apparently it lights it up all pretty on a night. We posed for no reason at all.
At some point, I'll set up a shoot with purpose. For now, it's all about the learning experience. My mate Matt (and often partner-in-weirdness, back in the UK) had just bought some light boxes, so we were looking for an excuse to play around. And so, we created "twinsies".
Now, I'm no model — that's clear from the look on my face and the awkwardness of my limbs. But, with even the slightest help from Lightroom, the red, grey, and green of these Lakes portraits really make the set look almost professional. Almost.
As soon as I shared the portraits I took for my friend Laura, I had other friends interested in having a session. Aimee was next up for a portrait set.
In some ways, I'd guised this photo shoot as about creating promo shots for the jewellery I was making. (I had the idea that I might one day set up an online shop to sell my wares.) I think, really, it was about getting to grips with shooting someone other than myself.
If I'm to believe the chick flicks, most people eat ice cream and wear pyjamas after a big breakup. I had my friend move in and we played with flash photography, in an alleyway, at 2am. We took inspiration from a photo he'd discovered on Flickr and tried to play around with the technique.
By the time I shot these pictures, I was really getting into exploring portrait photography. If there's any story to these at all, it's that I needed to be creative — trying out portraits in water seemed like something new.
Whereas my first delve into self portraits was thinly guised as attempts to photography jewellery I'd been making, this set was purely for fun. Well, I guess I'm wearing a pair of earrings that I made, but... it's not like you can even see them. (Except maybe in that B&W shot.) This is my second set of self portraits – at least the composition is a little better.