Jen Armstrong
Everyone has dark employment days. Mine came a few years after graduation, once my stop gap to put off adulthood was over. (The bar I worked at—and dearly loved—closed, so I temporarily became a sales assistant for a concession in House Of Fraser and Harvey Nichols.) I was lucky to have an incredible manager and coworkers, but selling dresses was not for me.
I secretly sketched and wrote poetry on the work notepads. I worked out how much time had passed by the store playlist. I imagined where I would be once I got out of there. One of the better things to come of the job was getting to know Jen Armstrong, a talented singer-songwriter. She needed some portraits—for Myspace? For Facebook? I can’t recall—so we had a photo session at my place.
Slideshow: Jen in the garden
It was golden hour. Jen barely needed direction to move into a good shot. She seemed to be super aware of herself, her angles, her incredible profile. Everything was fluid. In fact, I recall feeling a little nervous, since she approached everything so professionally and I was a charlatan with a semi-decent DSLR.
Slideshow: Jen in the "home studio"
Once the light started failing, we moved into the "home studio" I had set up. This essentially consisted of a red curtain, a 500w security light fastened to a tripod, and my Sony Alpha 200. I used a smaller light to backlight her hair. Somewhat embarrassingly, now that I look back, she also wore a lot of my homemade fascinators and jewellery. How embarrassing.
Despite the lack of equipment, skill on my part, and really much knowledge of what I was doing, I still love some of the shots we got. These are a few of the better ones.
I love red lipstick. I wanted to see how each one looked. So I took a bunch of photos.
My criteria:
Quality of the colour
Matte appearance
Stain last and resistance
I love makeup. I’ve always loved it. From the second I was allowed to put on a bit of ‘80s lavender eyeshadow, I slathered to excess. So, here’s a little journey I’ve called “From none to done”. Because rhyming.
Somewhere near the up-and-coming outskirts there's a huge old fort structure and apparently it lights it up all pretty on a night. We posed for no reason at all.
At some point, I'll set up a shoot with purpose. For now, it's all about the learning experience. My mate Matt (and often partner-in-weirdness, back in the UK) had just bought some light boxes, so we were looking for an excuse to play around. And so, we created "twinsies".
Now, I'm no model — that's clear from the look on my face and the awkwardness of my limbs. But, with even the slightest help from Lightroom, the red, grey, and green of these Lakes portraits really make the set look almost professional. Almost.
As soon as I shared the portraits I took for my friend Laura, I had other friends interested in having a session. Aimee was next up for a portrait set.
In some ways, I'd guised this photo shoot as about creating promo shots for the jewellery I was making. (I had the idea that I might one day set up an online shop to sell my wares.) I think, really, it was about getting to grips with shooting someone other than myself.
If I'm to believe the chick flicks, most people eat ice cream and wear pyjamas after a big breakup. I had my friend move in and we played with flash photography, in an alleyway, at 2am. We took inspiration from a photo he'd discovered on Flickr and tried to play around with the technique.
By the time I shot these pictures, I was really getting into exploring portrait photography. If there's any story to these at all, it's that I needed to be creative — trying out portraits in water seemed like something new.
Whereas my first delve into self portraits was thinly guised as attempts to photography jewellery I'd been making, this set was purely for fun. Well, I guess I'm wearing a pair of earrings that I made, but... it's not like you can even see them. (Except maybe in that B&W shot.) This is my second set of self portraits – at least the composition is a little better.